Showing posts with label Joe Iconis. Show all posts
Showing posts with label Joe Iconis. Show all posts

Friday, June 11, 2010

In Memoriam: Patrick Lee (1959-2010)


It would seem you have stumbled upon a rare post on a neglected blog. This blog started in 2005 and through the last 5 years, in spits and spurts, I’ve posted my thoughts and musings about theatre, film and life. Writing for my blog is a beloved hobby. It started around the time I was writing the screenplay Harvest Home and, over the years, has morphed into a blog that is primarily theatre-centric.

I love theatre. I love it hard and I love it true. I’ve said it several times in my life and I will say it several more: it has been my one true constant, ever since I toddled around backstage during shows my father directed. Theatre never disappoints. She entertains, she educates, she energizes. She is most definitely the jealous mistress in my life and she will always beckon.

Not many people feel the way I do about theatre. But I’ve been lucky in my life to find a few. Several of them are bloggers themselves and are included in the “Bloggers You’ll Learn To Love” list to the right. I’ve met most of these passionate and intelligent theatre addicts and my appreciation for this glorious art has undoubtedly been made richer by reading their blogs.

Someone who has been included on this list for quite some time is Patrick Lee who, among other things, was the author of the blog Just Shows To Go You. On Wednesday afternoon, a mutual friend and fellow blogger posted a link on his Facebook page, informing us that Patrick had unexpectedly passed away at the age of 51. Through the magic of social networking, it did not take too long to realize just how many lives Patrick touched.

My only face-to-face meeting with Patrick was at a bloggers brunch at Angus McIndoe in March 2008. For the majority of the brunch he was seated at the other end of the table. However, before dashing off to a matinee of Passing Strange, he came to our end of the table and introduced himself. We chatted briefly about Show Showdown, our blogs, Taboo and Passing Strange, for which he had a great enthusiasm. That afternoon, I was off to see Lit and Messy and Not At All Ashamed at NYU, a concert featuring the music of my composer friend Joe Iconis. At the time, he hadn’t heard of Joe (also a Passing Strange fan, BTW) but soon thereafter he became a big fan and supporter of Joe’s work.

Following that brunch, I started reading Patrick’s blog. I would also read his reviews on Theatermania, became Facebook friends with him and followed him on Twitter. I knew him virtually, as so many of us did. It did not take long for me to realize what a gift to the theatre community he was. Most definitely, Patrick was a champion of new and original theatre as evidenced by his love of [title of show], Bloody Bloody Andrew Jackson, The Amoralists, Joe Iconis and more. We are so fortunate, to have an online legacy of Patrick, where we can Google his reviews, interviews and musings to our heart’s content.

I am lucky to also have a tangible reminder of Patrick. When Equus returned to Broadway, I won, via a Just Shows To Go You contest, a Playbill that had been autographed by the entire cast of said revival. Little did Patrick know, Equus was an instrumental part of my theatrical development, so it was a thrill to own such a meaningful piece of memorabilia. While I don’t know for certain, I am going to presume that Equus was one of Patrick’s favorites as well, since the original logo is the first tile on the banner affixed to the top of his blog. Ironically, one of Patrick's last published articles on Theatermania is an interview with Sam Underwood, who is playing Alan Strang in Tony Walton's production of Equus in East Hampton. From this day forward, whenever I look at that Playbill, I will think of Patrick.

It is always very hard, when someone passes away suddenly and unexpectedly, to make sense of it. I barely knew Patrick and I instantly became immersed in thoughts of his life, his family, his close friends and his colleagues. If I’m so deeply affected, how do those closest to him make sense of it? Then I think to myself, how wonderful it is that Patrick was a writer! How wonderful that so many of his friends are writers! As Patrick’s family and friends gather this weekend to memorialize him, they need only turn to the blogosphere for comfort. The online eulogies that have been cropping up on the internet are numerous, several of them by the bloggers listed to the right. In them, Patrick is remembered as an intelligent, passionate, sarcastic, inspiring, jovial, caring, witty, kind and much loved person. Most of us can only aspire to be remembered so fondly.

In whichever way great or small Patrick Lee may have touched your life, I think we can all agree we are better for having known him and for having known the work that he loved so dearly.

We have learned that Patrick had a heart attack and passed away quietly in his sleep. While nobody knows for certain what happened, I like to think that Patrick enjoyed a nice glass of wine, posted his interview with Joe Colarco about Burnt Part Boys, climbed into bed thinking about his predictions for the upcoming Tony Awards and then drifted off to his final sleep dreaming about the theatre, something he loved hard and that he loved true. A love that, thankfully, he shared with so many.

Curtain.
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Monday, February 02, 2009

Top 5 Discoveries of 2008

The last few weeks have been, shall we say, tumultuous and as a result of said turmoil I have had a minimal presence in the blogosphere. However, yesterday was Superbowl Sunday. As a no/low-sports family, the Superbowl is honored in our house by muting or fast-forwarding the game, watching the commercials and eating kick-ass snack foods. I made use of the time by hopping back on the bloggy horse in order to provide the last of my round-up lists… The Top 5 up-and-comers on today’s musical theatre scene.

#1. JOE ICONIS


Loyal readers should find no surprise in the fact that my top discovery of 2008 is Joe Iconis and his unruly troupe of musical theatre punks. Joe is so sick with talent that, despite the troubled economy darkening several New York marquees, he saw three fully-realized productions of his musicals in 2008: The Black Suits, The Plant That Ate Dirty Socks and ReWrite. This past year also saw the critically-acclaimed return of Iconis' signature concert, Things To Ruin, as well as gigs at Joe’s Pub, Sardi’s and the West Bank CafĂ©.

Joe's songs tell stories. Good stories. Songs that people relate to. Songs about ordinary people in extraordinary circumstances. Each tale told with the perfectly blended cocktail of honesty, irreverence and dirty words. But what intoxicates you are those contagious melodies, euphonious harmonies and pulsating rhythms that make people want to sing them. And sing them. And sing them.

And stomp a hole in the floorboards.

#2. SCOTT ALAN


I first stumbled upon Scott Alan via a YouTube search that ended with a video of Jonathan Groff singing a beautiful ballad about a telephone call. That led to Danny Calvert killing you softly with this heartbreaking tale of divorce. Which led to song after song of Broadway celebrities singing Scott's beautiful compositions. Not long after, I downloaded Scott's release Dreaming Wide Awake from iTunes.

Like Iconis, Scott has a knack for writing songs that tell a story. Where Iconis' songs tend to tell stories more about the idiosyncratic, Scott's songs are inclined to explore those universal chords that strike in relationships. His follow-up release, Keys, won my heart with "Blessing" and "The Dress". In addition to his incredible talent, Scott also champions the work of other up-and-coming artists through his Monday Nights, New Voices program, which has featured several of the composers featured in my sidebar.

All of my exposure to Scott's music has been through his releases and YouTube. I haven't made it to a live show yet but plan to as soon as schedule and budget allow. I also count myself among those anticipating the staging of his musical Piece. I love it when a composer's music, like Scott's, stands on its own, so I am always anxious to see their music in the context of a book musical. And something tells me when that happens, I won't be disappointed.

#3. NICK BLAEMIRE


2008 marks the year that the multitalented Nick Blaemire hit my radar. The first I'd heard of Nick came in April or so, when the theatre community was abuzz about this kid, who was making his Broadway performing debut in Cry-Baby and, at the same time, preparing for his Broadway debut as a composer/lyricist with the coming-of-age musical Glory Days. I did see Cry-Baby and was nonplussed. I did not see Glory Days but wish I had. Both shows shuttered quickly but Blaemire certainly did not walk away defeated. A streak of performances to round out 2008 followed: in Iconis' The Black Suits at The Public's Summer Play Festival, in Mazzaferri's Green Eyes at the NY Fringe, in the return of Iconis' Things To Ruin and in the debut of Iconis' musical triptych ReWrite. Nick is an energetic and dynamic performer with a savage rock tenor voice. And you are hard-pressed to find a performer with a higher likeability factor. He's sort of the Ferris Buehler of musical theatre.

Expect great things from Nick. More great performances, certainly, but look out for his next writing project, which partners him again with his Glory Days co-writer James Gardiner. Nick played a selection from the commissioned project at a concert a few months back and I feel confident saying that he has not seen the last of his "glory days".

#4. GABY ALTER


If you want a composer who is on the cusp of greatness then you need look no further than 2008 Jonathan Larson Grant winner Gaby Alter. As with the other composers on this list, Gaby writes a kick-ass story song set to some fiercely catchy melodies. I defy anyone to listen to this song and not walk away humming. Gaby is a prolific writer with many works in development, including my personal favorite, 29. In January 2009, Gaby and his writing partners Tommy Newman and Mark Allen had their musical Band Geeks! featured as part of Goodspeed Opera House's 4th Annual Festival of New Artists.

I had the privilege of hearing Gaby perform one his compositions at The Secret Show back in the fall. But his talent won't be a secret for long. Before long Gaby will break through in a big way and you can say that you heard it here first. And you'll be able say something similar to what I say to my friends when they finally discover Facebook: "Yeah, I started that addiction 2 years ago!"

#5. JAKE WILSON


2008 saw many memorable Broadway/YouTube marriages (think [tos], Legally Brown, Cubby Bernstein). Not to be outdone, fresh-faced and fancy-footed Jake Wilson leapt right onto that bandwagon with The Battery’s Down. This "online tv series" chronicles Jake's life as a struggling actor in New York, complete with fancy Broadway guesties and big splashy musical numbers. Bear in mind that this YouTube jewel is a ship captained primarily by Jake, who wears the hats of director, writer, cinematographer, actor and choreographer. It helps, too, that he runs with a talented crowd who help out as his supporting cast. The professional quality of TBD, combined with Jake's unbelievable charm and business sense, as heard in this Playbill Radio interview, will most assuredly propel him swiftly to the limelight.

But the bottom line is this: Jake has talent. Well, many talents. In fact, while The Battery’s Down was on filming hiatus, that talent landed him a role in a production of Hair out West. But fret not, the tours and out-of-town gigs are over and the cast and crew of TBD are back at it for Season 2, premiering March 1st. And they should be around until the next gig surfaces, which is pretty much assured with this bunch.

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Friday, December 26, 2008

Top Videos of 2008

It is the day after Christmas and we are still recovering from the stupor of yesterday’s excitement. Realizing that there are only a handful of days left in the year, I felt the need to seize a few moments to throw another "best of" list up on the ol’ blog.

Today’s feature? The best videos of 2008…

TOP 10 VIDEOS (OTHERS)
The following videos are those that kept me entertained throughout the year but were not shot by me. There were so many great moments on YouTube that it was impossible to narrow it down to five, so you what have here a Top 10 list. In the case of video series, I will imbed the link to the first of the series. Videos that could not be imbedded are linked in the title.

President-Elect Barack Obama on Election Night
One of the most historical nights in American history and I am happy to say in unfolded in my lifetime. That’s hope, my friend. Hope.



9PFT
This tribute to one of my favorite shows of 2008 is totally [tos]some. I loved seeing all the familiar faces and incredible support for this inspiring show. And, of course, you have to check out the [title of show] Show, which was instrumental in Hunter, Jeff, Heidi and Susan’s transfer to Broadway.



Legally Brown: The Search for the Next Piragua Guy
The star-studded series Legally Brown: The Search for the Next Piragua Guy from Lin-Manuel Miranda and Co. is so entertaining. I love how Broadway is embracing the YouTube phenomena and the folks at In The Heights do it some serious justice.



Merry Christmas, Nicholas
The heart and soul of In The Heights is that the cast and crew of the show have heart and soul. This video highlights the classiest move on Broadway this year, hands down.



The Battery’s Down
The trials and tribulations of the multi-talented Jake Wilson come to life in The Battery's Down. This theatre-centric online series comes cram-packed with Broadway guest stars and appeals to the drama geek in all of us. A man after my own heart, Wilson directs, writes, choreographs and stars in this online TV series which highlights some of the brightest composers on the horizon. Now if he could just land himself a big fancy Broadway job. But perhaps that will come in Season 2.



Prop 8: The Musical
The highs and extreme lows of the hate-fueled anti-marriage vote in California are given a musical twist by another star-studded cast. The musical theatre lover in me loves shit like this.

Cubby Bernstein
The vigorous 2007-2008 Tony race for Best Musical spawned the video campaign that unveiled Broadway wunderkind Cubby Bernstein. At the heart of the campaign was underdog Xanadu, the charming little musical that took residence at the Helen Hayes for a spell.



Frozen Grand Central
This video of an improv group Improv Everywhere unleashed on Grand Central Station. Simply amazing.



Old Mr. Drew
At Iconis’ Secret Show at the Beechman a couple months back, Joe sang a couple of tunes and several up-and-coming composers bearing his stamp of approval also performed. Molly Hager performed Michael R. Jackson’s “Old Mr. Drew” which just left me speechless. This video is from Michael’s show Dirty Laundry and is just mindblowing.



Dr. Horrible’s Sing-Along Blog
What happens when a couple of Hollywood writers on strike are looking to kill some down time? Brilliance, that’s what.

TOP 5 VIDEOS (MINE)
The following videos are the fruits of my budding camera work and editing skills.

OSP Montage Video
In January 2008, the band formerly known as Old Springs Pike booked five shows at Joe’s Pub. I went to two of them and assembled this video from the January 4th footage. Days later, John Gallagher, Jr. and the band parted ways. OSP sans Gallagher is now known as The Spring Standards and Gallagher performs solo. While both musical acts are doing well in their own right and enjoying their own successes, I can’t say this montage doesn’t make me a little nostalgic.



Jason "SweetTooth" Williams et al - The Goodbye Song
I’ve been to several Iconis shows this year, an addiction that began with this song. A couple of my videos feature John Gallagher, Jr. performing the E.T.-inspired closer to Iconis shows. However, it is this simple version performed at The Secret Show that is is my favorite. Right before they performed this song, Joe invited anyone who knew the song to join him onstage. Believe me, I was tempted.



Isabelle’s Voting Results
South Street School had a mock election on the twins’ birthday. Isabelle first explains what she would like for her special birthday meal and then tells me who she voted for in the election.



Peter Pan Video
My summer was spent in Neverland with my family. I assembled this video for the cast and crew. It reminds me of how magical theatre can be sometimes.



The Bar Song
Another Iconis tune. For some reason, this song breaks my heart a little.




Saturday, November 08, 2008

Burning The Candle At Both Ends

So I've been super busy lately - working the day job, devoting my evenings to rehearsal for Little Women, spending weekends with the family and just generally being crazed.

That said, if you live within a reasonable distance from Brookfield, Connecticut, get your tickets to see Little Women now. The cast is amazing, the voices are tremendous and its a classic story in the form of good, wholesome musical theatre. I'm pretty proud of this puppy, I must say.


LOCATION: The Brookfield Theatre for the Arts (TBTA)
ADDRESS: 182 Whisconier Road (Route 25) behind the Brookfield Library
DATES: November 7, 8, 14, 15, 21 and 22 at 8:00pm and November 16th at 2:00pm
RESERVATIONS: 203-775-0023

In between rehearsals, I worked in two trips to NY to catch a couple shows. The first show being the much anticipated Equus featuring Richard Griffiths, Daniel Radcliffe and Kate Mulgrew. Now, I've seen two separate productions of this show in my lifetime, performed the stable scene in a Florida State Thespian competition and have read the play several times. So I think it's safe to say I'm familiar with the show. Daniel Radcliffe was quite good, Richard Griffiths was palatable but miscast I'm afraid and Kate Mulgrew was stiff and awkward. The actors playing Mr. and Mrs. Strang had horrible British accents and hardly came off as despicable as I think they should.

The set design had its good points and its bad. While the observation deck that hosted onstage spectators looked cool, I don't think anyone that paid full orchestra prices for those seats would say that they were optimal seating. It was very distracting to have the actors moving the boxes around to create the various locales. While I expect (and employ) this method in community theatre, I do not understand it on Broadway. And after the blinding scene, lowering the six wire horses heads from the ceiling was not only hokey but distracting.

So I guess you would say I was underwhelmed.

The other show that I took in was a Joe Iconis & Friends gig at The Laurie Beechman Theater. It was just the right jolt I needed to get me through to December or January. Several classic Iconis tunes were performed and Joe also invited some his favorite emerging composers to share the spotlight. Several of the artists that you see in the "Creative Types" sidebar (Gaby Alter, Nick Blaemire, Jason "SweetTooth" Williams, etc.) were there performing their stuff. There were also a few new ones (Rob Broadhurst, Mike Pettry, Ladystein, etc.). I was particularly struck by the very powerful song "Old Mr. Drew" by Michael R. Jackson. Here's a video from his recent show at ARS Nova:




Yeah - I pretty much fell out of my chair when Molly sang this at The Beech.

The opportunity to take in an Iconis show is becoming more and more available these days. You should check out Things To Ruin at The Zipper for a concert of Iconis tunes performed by some of the finest young talent around, on Broadway or off. Seriously. And if you're lookin' for a more musical theatre kind of venture, Urban Stages just announced the world premiere of Joe's newest mini-musical triple feature, ReWrite. I've said it before, and I'll say it again, see an Iconis show. You won't be disappointed.

And finally - a recent event to be totally stoked about: being able to officially utter the words President Elect Barack Obama.

Word.

Wednesday, August 13, 2008

Obama, Iconis & Sondheim


Wait! Barack Obama listens to Joe Iconis? When asked about late-period musical theatre, Obama replied thusly:

Despite the emergence of the Brown-Lippa-LaChiusa triptych and younger, DIY voices like Lopez/Marx and Joe Iconis and in the post-Larson era, no one writing today even approaches the emotional depth, harmonic complexity and the spiritual clarity evident in the work of the still-living legend Stephen Sondheim. Maybe Adam Guettel, but he supports drilling.

Of course, I think it is a bit unfair and premature to compare Joe Iconis to America's most revered living musical theatre composer, who happens to be 50 years Iconis' senior. I also have a hard time believing that Obama is rocking out to Iconis on his iPod... I'm just saying.

And since we're speaking of Sondheim...

FINALLY - some casting news for the much-anticipated revival of West Side Story: Matt Cavenaugh (A Catered Affair, Grey Gardens) will play the coveted role of Tony, a move guaranteed to catapult him to Broadway superstardom. The remaining casting decisions remain a mystery but, with a February opening, I suspect they will be announced soon.

The WSS announcement comes directly on the heels of The Public Theater announcing the Off-Broadway run of Sondheim's Road Show. The musical, whose previous incarnation under the title of Bounce, will be directed by Sondheim's staple director of late John Doyle. The production will star Michael Cerveris and Alexander Gemignani.

And in more solemn Sondheim news, George Furth, the librettist for Company and Merrily We Roll Along, passed away at the age of 75. Merrily is one of my favorite Sondheim musicals, one that is also rumored for revival. Strangely enough, in my quest to find a composer for my musical project, I received a resume from someone who recently worked with George and cited him as one of his references. Perhaps this is a sign. And you know how I am about signs...

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Related Article: Barack Obama and John McCain Weigh In On Pop Culture
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Friday, August 08, 2008

A Little Toast with Jam-boree

As usual, Iconis and his merry band of troubadours kicked some major ass at Joe's Pub this past Monday night. Take a gander at some highlights from the evening...

"The Whiskey Song" featuring Matt Hinkley, Lance Rubin, Joe Iconis & Jason "Sweet Tooth" Williams


"The Answer" from The Black Suits performed by Krysta Rodriguez



"Vagabond" performed by Matt Hinkley


"Sorta Kinda Not So Bad" from The Plant That Ate Dirty Socks with Lance Rubin & Jason "Sweet Tooth" Williams



"The Song" performed by Joe Iconis


"Helen's In Skin Flicks Now" performed by Jason "Sweet Tooth" Williams


"The Bar Song" featuring Jason "Sweet Tooth" Williams, Joe Iconis, Matt Hinkley and Lance Rubin


"The Goodbye Song" performed by John Gallagher, Jr.


"Penny Dreadfuls" featuring Jason "Sweet Tooth" Williams, Lance Rubin, Joe Iconis and Matt Hinkley

Monday, August 04, 2008

The Dempster Girls Take In The Plants That Ate Dirty Socks



So apparently the most popular keywords currently driving traffic to my blog are (1) related to reviews of Joe Iconis' The Plant That Ate Dirty Socks or (2) my maiden name.



Well who am I to disappoint?


If you are searching under my maiden name, you probably know me from my college years or before. A lot has changed since then. I am now Alicia Dempster. Google that. Or friend me on Facebook.



Also, as it would happen, on a rainy Sunday afternoon last week my three daughters and I took the train to the City to see Plant, the second of the two fully-realized Iconis shows produced this summer. And, since it is what my readers want, I will write a review.



In its 20th season of offering free theatre to children, TheatreworksUSA's production of The Plant That Ate Dirty Socks continues the tradition of providing literature-based musicals featuring some of theatre's most promising talent. Iconis' one-hour family friendly rock musical is currently in production at the Lucille Lortel Theatre and is based on the first installment of Nancy McArthur's popular book series from the late 80s. A less-gory spin on another rock musical, Little Shop of Horrors, it is the story of two very different brothers who find common ground in their unusual plants.



Many of the titles in Joe's songbook are for mature audiences only, so several tracks get skipped when we're listening to Mommy's Iconis CD in the car. My girls have, however, heard "Plants Make Wonderful Pets" enough times that they were humming it well before they saw the show. In fact, we even incorporated the book into storytime, so they were aptly primed for our journey to see the musical adaptation.



Iconis' pulsating rock score and clever lyrics are appealing to both the primary audience for which they are intended and the parents seated at their side. Most notable are the jaunty and catchy "Plants Make Wonderful Pets" and "Welcome To My Room", although the one that my girls now keep screaming around the house is "I Saw It Suck Up A Sock!" Some of Iconis' best songs, in my opinion, are the ones with lilting melodies and simple sentiment, thus making "Sorta Kinda Not So Bad" my personal favorite (hey, I'm a sentimentalist).



Iconis' book solidly retells McArthur's story with only minor variances from the less-than-complex chapter book. Most of the changes, I presume, were made to keep the cast size small and its run-time under an hour thus increasing its tour appeal. While children's theatre may not be the genre one would dub as being in Iconis' comfort zone, he has certainly risen to the task with an infectious and entertaining production.




The at-odds brothers, portrayed by Jason "Sweet Tooth" Williams and Lance Rubin, are energetic and endearing. Williams is wide-eyed and soulful as big brother Michael, a perfect compliment to Rubin's dorky yet comical Norman. Both manage the various song styles with the vocal power necessary to handle a loud, rock score but lend just the right amount of heart to ballads like the aforementioned "Sorta Kinda Not So Bad".



As the meddling neighbor kids, Lauren Marcus and Jeffery Omura have the opportunity to show off their pipes in their featured number, "Talk of the Town." Marcus is spirited and nasty as nosy-cheerleader-with-a-dark-side Patty Jenkins. Her bulldog scene with Lisitza is classic and, despite her tantrums, her character was a favorite with my girls. Doubling as egomanical 7th grade pal Jason and ratings-hungry telejournalist McKenzie, Jeffrey Omura creates characters that are appropriately loathesome. He also has 15 seconds in "Welcome To My Room" as the Mailman that delivers the mysterious sock-eating plant seeds. My eldest daughter was deeply concerned that he was not credited for this role in the Playbill. I believe she may have a future as an agent.



Lorinda Lisitza and Kilty Reidy play the boys' far-too-accomodating parents with cartoon character perfection. Since most of the songs are relegated to the kids characters, the only time we really got to hear Lorinda wail is during the riotous "Talk of the Town". But wail she does. For more wailing, click here. Lisitza and Reidy also show up at the science fair to chew the scenery a bit as Sanjay and the Judge respectively.



The eponymous plants are the brainchild of puppeteer designer Eric Wright and are manipulated by puppeteer Michael Shupbach. While I did see some kids hiding their eyes during the sock-slurping scenes, the plants are truly lovable, as is witnessed in a cute and humorous scene between Michael and his plant Stanley.



No strangers to Iconis material, director John Simpkins and choreographer Jennifer Werner stage a tight production. Michael Schweikardt's colorful set deftly set the stage, whether it is the boy's bedroom or the cafegymitorium, and it is highlighted by Tracy Christensen's youthful costumes and Chris Dallos' lighting design.



While I personally prefer my Iconis a little bloodier, Plant is a great introduction to the brilliantly damaged mind of Joe Iconis. I had a great afternoon at the theatre with my girls and, with all due to respect to the folks over at CityCenter, they said they liked it better than Damn Yankees.

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The Plant That Ate Dirty Socks runs at the Lucille Lortell Theater in New York until August 22nd. For information, visit http://www.theatreworksusa.org/.

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Wednesday, July 16, 2008

The Summer of Iconis Continues @ Theatreworks USA

Ummm... Go see this. Why? Because it's free. Because Matt Lauer is Honorary Chair. Because it gets children to the theatre. Because it has some wickedly talented people in it.

And because the music, lyrics and book are by Joe Iconis. DUH! I've only been telling you about him forever. I don't understand why you haven't been to one of his shows yet. And this, my friend, is the perfect opportunity to get to one! This free offering by Theatreworks USA is a palatable little nibble of Iconis that will definitely leave you craving more.

The Plant That Ate Dirty Socks is based on a series of children's books by Nancy McArthur about a plant that eats... well... socks. In preparation for our family outing to NYC, I've actually been reading the book with my girls. We're only on Chapter 9 but it essentially seems to be a less gory version of Little Shop of Horrors. It is definitely a charming way to introduce kids to (1) musical theatre and (2) Joe Iconis. This morning, whilst looking at the book cover, my eldest was actually singing from the show. Yes, I've taught her well!

But maybe sock-eating plants are not your thing. For those that prefer their Iconis bloodier (and with a cocktail), go see this:



Or this:


You will not be disappointed. And you will thank me.
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Ticket Info:

Tuesday, July 08, 2008

Tesori's Violet Headed to NYU's Stage


This past Sunday, I attended the final performance of Joe Iconis' The Black Suits at SPF/The Public (full-throttle review is forthcoming). As if the sheer excitation of being at a fully realized Iconis production wasn't enough, I was thrilled to see this little bit of information tacked on to the end of John Simpkins' bio:

Violet is a wonderful, obscure little show written by Jeanine Tesori (Thoroughly Modern Millie, Caroline, or Change and Shrek). I've been a fan of Violet for several years and am over the moon that it will be directed, no doubt with great aplomb, at NYU next year.


Simpkins, who seems to be exclusively at the helm of Iconis' shows, is someone whose work I was introduced to in the summer of 2006 before I ever heard the name Iconis. When it comes to selecting directing projects, I don't think a more like-minded person exists. The primary difference, of course, if that NYU actually produces them whilst I am relegated to directing shows considered safe for community theatres. But that is a lament for another day...

In the meantime, as I bemoan the plight of community theatre, I'll await the onsale date for NYU's Violet. I will also keep my fingers crossed for the announcement that John will continue the trend of directing shows from my short list by including Bare in Steinhardt's 2009-2010 academic year.

Tuesday, April 22, 2008

Anticipating A Summer Of Awesome Theatre

In just under two weeks I will be back in the director’s chair, which is truly one of my favorite places to be. This time I’ll be bringing the timeless musical classic Peter Pan to the boards at TBTA. When I direct a show, however, some things in the ol’ schedule have to give. Basically, you can expect a reduced presence here on my blog and not quite as many adventures in NYC.

Once the show opens in July, however, I will be making up for lost time, taking in some of the theatre that is currently my “most anticipated” list:
  • [title of show], having mastered the art of viral marketing, got their sought after Broadway opening at the Lyceum Theatre on July 17th. I did not see the show during its Off-Broadway run but the YouTube [tos]casts and peer reviews have earned it a spot on my dance card.
  • Joe IconisThe Plant That Ate Dirty Socks will open in July at the Lucille Lortel Theatre. Finally an Iconis show I can bring the kids to.
  • Damn Yankees returns to NYC with Jane Krakowski as Lola and Sean Hayes as Applegate in City Center Encores! Production opening July 10th. This show has always been a personal favorite of mine and I’m definitely ready for Sean Hayes to make his theatrical debut.
  • In August, Hair makes its return to the Delacorte Theatre in Central Park as part of the Shakespeare in the Park series. The fully-realized production of the September 2007 production opens July 22nd and runs through August 17th.
  • After Labor Day, Richard Griffiths and Daniel Radcliffe will be transplanting the West End production of Peter Shaffer’s Equus. My father directed the Pennsylvania premiere of this riveting play in the 70s, giving me an early exposure to and appreciation for this show. I’ve seen my father play the role of Dysart in two separate productions and am really looking forward to seeing the Broadway production at his side. Equus opens on September 25th and will be a limited engagement running through February 8th, 2009.
  • Finally, amid the buzz of the forthcoming Sheik/Sater projects The Nightingale and Nero, is the Duncan Sheik project Whisper House. This less publicized work is making its debut in my back yard at The Stamford Center for the Arts. All indicators point to a Fall 2008 opening for the musical about an orphan living with his aunt and a Japanese man in a Connecticut lighthouse during World War II. The boy thinks he sees ghosts that are telling him not to trust the Japanese man because he might be the enemy. 30 Rock’s Keith Powell will be directing the musical and states, “It's about this boy's loyalty and overcoming his fears and really trying to do what's right when all of the world is in turmoil. It's -- of course -- a metaphor in a way for what's happening in today's politics."

Yes, it will definitely be a busy summer, filled with the lifeblood that courses through my veins: theatre. Hope to see you at the show!

Friday, March 28, 2008

Hey, Old Friend!


One of my absolute favorite things is live theatre. Undeniably. During my formative years, my father, an English professor and Shubert Playwriting Fellow (that sounds cool, huh?), directed all the shows at a branch campus of the University of Pittsburgh. Essentially, I've been around theatre and theatrical types since birth. It has been the constant in my life that has led me to some of the most incredible experiences and people a person could imagine.


The other night, one of those incredible people and I ate lo mein, drank coffee and talked theatre. For about four hours straight. Local dish. Broadway dish. Who's doing what. Creative concepts. I mean it is down and dirty theatre talk and it is not for the faint-hearted. Please understand, I have amassed a lot of knowledge in my 40 years but this guy makes my head spin.


Example...


Starting next month, I will be directing the musical version of Peter Pan at a local theatre. Being the diligent artisan that I am, I was re-reading the script a few days ago. I was actually in Peter Pan a couple decades ago and my memory has admittedly faded a bit. I just didn't remember Liza, the maid, prancing about Neverland. Neither did my husband, who also thought Liza seemed a little out of place when he was reading the script. We quickly concluded that the actress who played Liza must've been sleeping with the producer. I then made a mental note to look the actress up on IBDb.


So the other night I was relaying this amusement to my walking-theatre-encyclopedia-of-a-friend and he says: "Oh, you mean Heller Halliday? She was Mary Martin's daughter with Richard Halliday, Peter Pan's producer!" He just pulls these names out of his bum and there goes my head spinning every which way but loose.


He is just one of those people that gets me. He makes me think of a Sondheim lyric from a favorite show of ours:

Hey, old friend
What d'ya say, old friend?
Are you okay, old friend?

Are we or are we unique?

Time goes by
Everything else keeps changing
You and I, we get continued next week

Most friends fade
Or they don't make the grade
New ones are quickly made
And in a pinch, sure they'll do

But us old friends
What's to discuss, old friend?
Here's to us!
Who's like us?
Damn few!

(And yes, we talked about John Doyle's Watermill production of our beloved Merrily, seen during my recent trip to England.)

I enjoy my time with my old friends. It is true, also, that new ones are quickly made. Even our oldest friends, if you think about it, were new friends at some point. I've made several new friends in the past year. A few of them actually feel like old friends. I think it is because they get me.

This weekend I will be seeing John Waters' new musical Cry Baby with a few of my blogospheric theatre friends and then joining them for brunch on Sunday. Though we've never met, the signs all indicate that future old friendships will be made. And what better way to forge those bonds than over a show, a cocktail and a spirited theatrical discussion? Top the weekend off with a Sunday matinee of Joe Iconis tunes and you basically have the equivalent of a theatre geek's wet dream.

With that, I will take my leave and prepare for an awesome weekend.

And here's to friends, old and new, that get you.

Wednesday, February 20, 2008

Talk O'Texas


Weeks that are largely consumed by the day job are never fun. They basically throw my whole routine out of whack and leave little time for things that I truly enjoy. In this particular instance, the enjoyment that I am sacrificing is the time and inspiration required for a proper blog post.

So, I guess that makes this an improper blog post. Cool.

What's up, you may ask, with the photo of a jar of okra pickles? As a self-proclaimed foodie, I feel it is time that okra is given its fair shake. Okra is not just a slimy thickening agent found in gumbo. Nor is it relegated strictly to its role as a deep-fried side dish at Cracker Barrel. No! The best way to consume your okra is pickled! Trust me! If you occasionally fancy a kosher dill or have been known to polish off a half jar of pepperoncini, then give pickled okra a try! You'll thank me.

But, really, it's not just about the okra... It's about Texas. Or, more appropriately, the talk of it. Besides pickled okra, Texas has something else to talk about and his name is Matt Hinkley. This multi-talented individual, frequently seen performing about town with Joe Iconis, will be releasing his debut solo album on March 19th. So, this is your mission, should you choose to accept it: Listen to his tunes. Become a fan. Go see him perform live at Crash Mansion on February 25th. Go to the record release show at The Bitter End on March 19th and buy the CD. Simple, right? So do it. You'll thank me for that, too.

That's all. I appreciate your time. And I believe it is now time for a pickle.

Sunday, February 10, 2008

As I Wish!


This morning, whilst perusing the Sunday paper, my husband was struck by the logo in the Best Buy flyer for the 20th Anniversary Edition DVD of The Princess Bride:


First, off, isn't that cool!?! I know it was released a couple of months ago but this is the first I'm seeing it. We've owned this on DVD for a few years and, according to a pretty amusing review I read, this is the fourth release. It's not surprising that this would have passed way under my radar. I love that the cover reads both upside down and right side up but I think the title logo is especially amazing.

** I'll wait while you attempt to turn your laptop upside down**

What has been on my radar, however, is the once-planned musical adaptation of the film. Prolific screenwriter William Goldman (Butch Cassidy and the Sundance Kid, All The President's Men) had teamed up with Tony Award-winning composer Adam Guettel (The Light in the Piazza, Floyd Collins). The talented team began work on the highly anticipated stage version of the beloved fairy tale and a well-received workshop of a few of the songs was held at Lincoln Center. Shortly thereafter, the two parted ways. It has been reported that Goldman wanted 75% of the authors' share of the profits, despite the fact that Guettel was contributing both music and lyrics.

Following the separation, Guettel returned to the comfortable arms of his Piazza collaborators, Craig Lucas and Bartlett Sher, to provide the music for Lucas' 20007 adaptation of Chekhov's Uncle Vanya. Hopefully, he will soon begin work on a new project that will guide him back to a deserved home on Broadway.

I know that many purists have had their fill of movies being transformed into musicals but the adaptation of this witty and heartwarming film has such tremendous artistic and economic potential. Hopefully, Mr. Goldman will take a break from writing the screenplay for Shazam! and pursue another composer. I would love to see what Joe Iconis would do with this classic film. Of course, I suspect that he wouldn't settle for 25% ownership, either.

Friday, February 01, 2008

Oh, Sweet Niblets!


As I've mentioned in the past, I am a habitual list keeper and there are usually a few running at the same time. Among those lists is my blog topic list. Basically, when I spot things that I want to comment on or post about, I add them to the list. Sometimes the topics are just snippets of information that don't warrant a full post and other times they are items that I want to devote more attention to.

In an effort to shorten the list, I'm glomming a bunch of sweet musical theatre niblets into one post:

WOW! Feeling gloriously purged and ready to start anew, I am now sufficiently prepared to tackle my long overdue review of bare: the musical. Maybe that's what I'll do during the Superbowl, when the commercials aren't on.

Wednesday, January 23, 2008

A Recipe for Good Times

In times when the television is plagued with coverage of tragic breaking news, political hijinx and a troubled economy, I am so very thankful for diversions that bring you to a happier place. The question, then, is which of these diversions provides the greater promise of Nirvana?

1
The new Xanadu commercial (click image below to view)


2

3
Joe Iconis announcing a new ROCK N ROLL JAMBOREE gig at Joe's Pub
(click image for details and to order tickets)



My recommendation? Combine all three, shake vigorously and serve straight-up! And we'll call it a Nirvana Cocktail!

Thursday, January 17, 2008

Holy Genius, Batman!

Life really does take you on a fascinating ride sometimes, twisting and turning (sometimes loop-de-looping) through the years. And just like a roller coaster, life is comprised of a series of connected tracks that ultimately end up guaranteeing a thrill!

My own personal thrill ride has led me here:


I know that there are a few of you that are saying, "Oh, yeah, Joe Iconis. I heard of him like, you know, yesterday." But for those of you that have never heard of him I say this:
"Go to his Web site. Download his music. Watch the videos
on YouTube. Buy tickets to his shows. And simply bask in the the amazingness that is Joe Iconis!"

For instant gratification, click here to see the fierce Krysta Rodriguez perform "Blue Hair" from Iconis' work Black Suits.

Bask, I tell you, bask!