Showing posts with label Cry-Baby. Show all posts
Showing posts with label Cry-Baby. Show all posts

Friday, March 28, 2008

Hey, Old Friend!


One of my absolute favorite things is live theatre. Undeniably. During my formative years, my father, an English professor and Shubert Playwriting Fellow (that sounds cool, huh?), directed all the shows at a branch campus of the University of Pittsburgh. Essentially, I've been around theatre and theatrical types since birth. It has been the constant in my life that has led me to some of the most incredible experiences and people a person could imagine.


The other night, one of those incredible people and I ate lo mein, drank coffee and talked theatre. For about four hours straight. Local dish. Broadway dish. Who's doing what. Creative concepts. I mean it is down and dirty theatre talk and it is not for the faint-hearted. Please understand, I have amassed a lot of knowledge in my 40 years but this guy makes my head spin.


Example...


Starting next month, I will be directing the musical version of Peter Pan at a local theatre. Being the diligent artisan that I am, I was re-reading the script a few days ago. I was actually in Peter Pan a couple decades ago and my memory has admittedly faded a bit. I just didn't remember Liza, the maid, prancing about Neverland. Neither did my husband, who also thought Liza seemed a little out of place when he was reading the script. We quickly concluded that the actress who played Liza must've been sleeping with the producer. I then made a mental note to look the actress up on IBDb.


So the other night I was relaying this amusement to my walking-theatre-encyclopedia-of-a-friend and he says: "Oh, you mean Heller Halliday? She was Mary Martin's daughter with Richard Halliday, Peter Pan's producer!" He just pulls these names out of his bum and there goes my head spinning every which way but loose.


He is just one of those people that gets me. He makes me think of a Sondheim lyric from a favorite show of ours:

Hey, old friend
What d'ya say, old friend?
Are you okay, old friend?

Are we or are we unique?

Time goes by
Everything else keeps changing
You and I, we get continued next week

Most friends fade
Or they don't make the grade
New ones are quickly made
And in a pinch, sure they'll do

But us old friends
What's to discuss, old friend?
Here's to us!
Who's like us?
Damn few!

(And yes, we talked about John Doyle's Watermill production of our beloved Merrily, seen during my recent trip to England.)

I enjoy my time with my old friends. It is true, also, that new ones are quickly made. Even our oldest friends, if you think about it, were new friends at some point. I've made several new friends in the past year. A few of them actually feel like old friends. I think it is because they get me.

This weekend I will be seeing John Waters' new musical Cry Baby with a few of my blogospheric theatre friends and then joining them for brunch on Sunday. Though we've never met, the signs all indicate that future old friendships will be made. And what better way to forge those bonds than over a show, a cocktail and a spirited theatrical discussion? Top the weekend off with a Sunday matinee of Joe Iconis tunes and you basically have the equivalent of a theatre geek's wet dream.

With that, I will take my leave and prepare for an awesome weekend.

And here's to friends, old and new, that get you.

Tuesday, January 15, 2008

Take A Look In These Big Blue Eyes...


Capitalizing on the success of Hairspray, Broadway may have another winner with Cry-Baby, the latest musical adaptation of a John Waters film. Recent headlines indicate that the quirky 1950s musical will take residence at the Marriott Marquis, recent home to The Drowsy Chaperone, which sadly closed before I was able to honor the tickets I had in hand for February.

Photos of newcomer James Snyder are included in both of the articles that I read but this photo in particular caught my eye:



While James is a newcomer to Broadway, my introduction to him was via the definitive recording for bare: the musical. When I saw the above photo, I thought: “WOW! Those eyes are really blue!” I didn’t recall his eyes being that blue when I watched the DVD that accompanied the recording.

I then recalled a post I read from an online friend of mine about a lyric change in “You and I” in the bare recording. The lyric that several of us have become familiar from the sample CD is: “feel the beat of my racing heart and you’ll understand”. However, in the studio recording, this lyric has been changed to “take a look in these big blue eyes and you’ll understand”. So I thought, maybe James Snyder has really blue eyes and that’s why the lyric was changed.

But guess what!?!



So I’m befuddled. And I agree with my friend, the “racing heart” lyric says so much more. But I will save those observations for my very overdue review of bare.

Regardless of the color of the eyes doing the crying, I am very pleased to see that Cry-Baby has had good out-of-town notices and I will definitely make a point of seeing James in his Broadway debut. I was an early Johnny Depp fan thanks to 21 Jump Street so I have recollections of seeing this film on the big screen. Depp’s recent award-winning turn in the title role of Sweeney Todd has several people referencing his early days in a rock band. Similar references were made when Cry-Baby was released in 1990, since he did his own vocals as the Elvis-influenced bad boy of Baltimore. His vocals and the musical numbers must’ve been all right because somewhere I have the soundtrack on cassette. And since I have the soundtrack to Xanadu on vinyl, that could be a good omen for Cry-Baby