You Can't See Everything

OK everyone, this economy is beginning to piss me off! Why? Because I can't afford to go to the theatre.

It angers and saddens me to hear and say these words. But it's true.

Despite the fact that all but one of the Broadway and Off-Broadway shows I've seen this year have been either heavily discounted, inexpensive (under $20), a gift or free, it is still a costly venture. When you figure in the price of getting into the City, parking and food, it can end up costing in the neighborhood of $100. Multiply that by a dozen shows and we're talking a significant chunk of change. Factor that in with the rising costs of gas, utilities and food and it's just not pretty.

Alicia's world with no theatre. Not pretty.

The other distressing effect this economy has is on the shows themselves. Several shows planned for the 2008-2009 season have been postponed or canceled, primarily due to issues of the money sort. Running shows have been taking the hit at the box office. This is the reason Rent closed. This is the reason I was not able to see Passing Strange before it closed. This is probably why I will not get to see [title of show] before it closes.

My bemoaning the fact that I had heard that [title of show] is papering heavily and is rumored to close very soon was met with this response from my husband: "You can't see everything."

So not pretty. I really wanted to tell Susan Blackwell that she is my hero.

Good thing we received an early anniversary gift from my father and will be seeing Equus in October. Because if I missed that it would get downright ugly.

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Told Ya So, Told Ya So!

In a January 16th post, I made reference to a few shows whose grosses were similar to those of the soon-to-be-closing Rent:

I noticed a few musicals with attendance hovering in the 40th to 50th percentile, including The Color Purple, Legally Blonde and Xanadu. However, it was Rent's 54.5% attendance that prompted me to say to my husband, "Rent is going to close soon." I'm serious. I said this just last night!

Then lo and behold, today's headlines on Playbill.com announced that the award-winning rock musical will take its final bow at the Nederlander on June 1st. This comes as no surprise, really, following the summer's stunt of bringing the original leads, Adam Pascal and Anthony Rapp, back into the fold. Jumping the shark is always a sign of things to come. I predict a similar fate for Oprah's The Color Purple."

Yes, you heard it here, folks, just 9 days ago. No insider information, just a knack I have, I guess. And now it's official. Tickets to see the show before it closes on February 24th can be purchased here.

Rent: Paid Up and Movin' To The Burbs

In life, timing is everything. There are many occasions in my life where I am struck by my own personal sense of timing. Last night I was perusing Steve On Broadway's blog when I was struck by his observations about the extension of August: Osage County, the weight that straight plays are carrying and the Broadway grosses for the week ending January 13th. I toggled over to the report and started to scroll down to look at the "big picture."

I noticed a few musicals with attendance hovering in the 40th to 50th percentile, including The Color Purple, Legally Blonde and Xanadu. However, it was Rent's 54.5% attendance that prompted me to say to my husband, "Rent is going to close soon." I'm serious. I said this just last night!

Then lo and behold, today's headlines on Playbill.com announced that the award-winning rock musical will take its final bow at the Nederlander on June 1st. This comes as no surprise, really, following the summer's stunt of bringing the original leads, Adam Pascal and Anthony Rapp, back into the fold. Jumping the shark is always a sign of things to come. I predict a similar fate for Oprah's The Color Purple.

Jonathan Larson's musical, which boasts the credential of being the 7th longest-running musical in history, is deserving of its place in Broadway's timeline. Many compare my adored Spring Awakening to Rent. Largely, in my opinion, because it is a rock musical based on a previously written work that embodies many controversial subjects. I also feel it bears its similarity in the number of young theatrical careers that have been launched by it. The OBC included Pascal, Rapp, Idina Menzel, Taye Diggs, Jesse L. Martin, Daphne Rubin-Vega and Wilson Jermaine Heredia, who won a Featured Actor in a Musical Tony for his portrayal of Angel. I predict similar big things for the OBC of Spring Awakening. You heard it here.

So, to the Production of Rent, I tip my hat. Your seasons of love have been an incredible journey for us. Thanks for bringing us along.

They Didn't Get It

OK - it has been quite a while since I've posted. Mostly because my life in the summer is sheer insanity. Plain and simple.

I do have an RRS-Redux post that I'm keen to make but I'm not in the mood to go there today. I will be turning off that road in a few months and, I'm happy to say, there are definitely a couple of interesting stops along the road ahead. Stay tuned!

But today's post is about Spring Awakening. I have tried to ensure that my blog gives fair and equal attention to many things - theatre, film, family, life - so I took a break from pimping my favorite show. But I have come to a realization about this show and I wanted to share it.

First, because I only gave brief mention to the Tony Awards (8 of them, by the way), I want to say that I did indeed jump up and down like a little kid when Gallagher won for Spring Awakening. I haven't been that theatre geeky since crying during Daisy Eagan's acceptance speech. Sadly, my busy summer has precluded me from getting in to see many NY shows, so I've been suffering a bit of SA withdrawal. My sister, however, was watching the girls this week and noticed my "HAVEN'T YOU HEARD..." t-shirt and asked about it. Of course, that was like opening the floodgates. I promptly played "Totally Fucked" for her, which I knew she'd appreciate, and then I showed her the "Bitch of Living" video. Needless to say, we're going on Tuesday. My withdrawal symptoms go away and another Junkie is born, in one fell swoop!

So to my realization.

Several of my friends, younger and older, have seen Spring Awakening and I'm always anxious to hear their response. The show has met with varying degrees of favor among my friends. Most of them, as I do, love it - and several of them have seen it more than once. If a friend had a negative review I would usually rationalize it by saying that they were too old or too old-fashioned. Because usually statements like that fit. But it's more than that.

I have always been a fan of the rock musical. Those that think that Spring Awakening is breakthrough in that respect are wrong. In college, Hair was my rock musical of choice (and I loved Tommy, too!). And then Rent came along. I remember having very long debates with the Chair of the Department about the artistic value of Hair (whilst I was a student there) and Rent (when I went back to visit). He would drone on and on about how both shows were basically kids whining about everything that was wrong in their lives, with bad books and loud music. I would guess that he'd say the same about Spring Awakening.

Let's see... War, racial prejudice, drug addiction, child abuse, illness, depression, religious and parental oppression, pregnancy, sexual discovery, abortion, suicide... Yeah, I think kids have a right to whine, nay scream, about these things.

And HELL YEAH I think it should be set to loud rock music!

I then realized that Spring Awakening and its predecessors aren't about age. They are about passion. Perhaps the people that don't like these shows aren't passionate about these things. And maybe the music is too loud for them.

So when people say that they didn't get it, I'm glad that I can say that I did. Thank God that I remain passionate about the things that I was passionate about when I was 20. I'm sure the day will come when I don't get it and I'm screaming at them to turn it down... but that day is not today!